ANTILOG_03June26a

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ANTILOG_03June26a

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2026-06-03 16:25:36

- Stuff I did, in rough note form, since my last antilog (for preserving continuity): I was rethinking this morning about the concept I came up with yesterday of workstream + worldstream => also I realized that my Art-Ops-in-a-box is in an actual box, a witness-box => I rehashed an old concept of a mobile recording studio, the Design Web Labs => was thinking that there are different kinds of refcards, actual bibliographic references, action syntax cards, moraltempcards, etc. =>
- I worked on a Global Research Schema + an ALX extensible schema v.1.0 => I did the Harlequin painting + Harlequin organ music that I recorded at dad's =>
- New concepts of mobilome, habitome, survivome, and interferome following the concepts of migrance, habitance, survivance, and interference => I created an antilog publication on Substack => thought more about methodologies of art and research practice => Thought long and hard about being transparent, accountable, being/working "in the light" => so many artists worked and continue to work in obscurity => My applied Feldenkrais, the "texture" of movement, of experience + the rhythms of the workspace + of the old village =>

"HARLEQUIN". Mixed media by A.G. (c) 2026. All Rights Reserved.

- When I woke up this morning, I finished work I couldn't finish yesterday => yesterday was a bad day, it started out wrong, did not go according to plan => don't make major decisions when the workday takes a different turn, diverges suddenly and widely => new concept of the historiospheric worldstream => what I do is mainly internal arts + complex work streams + workspace to mirror complex systemena => working on concept of a "New Discourse on Methods => the systemenon is a system-as-phenomenon in the lab; there is the system in the field and the system in the lab, when we act upon it and make changes and experiment, it is a systemenon =>
- I need to reach "saturation point" from oscillating work sprints & continuous review to create creative tension and resonance, saturation => thought of film as documentary evidence, cinema-as-documentary-method, as documentation => the Exhibition in Tonal Cinema was lifestreaming before it was popular => "workspace (function) collapse" => hitting the reset button =>
- The experimental novel => focusing on the inward "pulse", rhythms of life => did comprehensive retrospective of May, 2026 output => I will do a prospective next for the coming seasons => beware too much standardization and systematic abstract formalization => art + research "heat death" where nothing means anything anymore, you need differentiation or "differentiability" =>
- Inject energy and noise to break collaborative equilibrium or stagnation in the workspace => let it decay and atrophy, it's okay, it is just a "slowing down" => 1. strategic action; 2. delta observation; 3. methodological review; 4. systematic reflection => I have essentially been making a series of "technique-paintings" without realizing it; I think I will make some of these more deliberately;
- The following was from around 10h00 this morning, something I didn't get to publishing until now: I transcribed the refcards that I just took at the main desk onto computer terminal no. 2 and then will print out the pages on computer terminal no. 1 after which point I will take the printed materials to the main desk to read, highlight, and potentially write more refcards => these refcards I made by reviewing all the work I did since my last "antilog" entry on my antilog blog, all with the intention of putting this in a new antilog entry where I want to include actual artistic artifacts I have made since the last antilog entry: I want to talk more and more about rhythms in the old village and in the workspace and also I want to make a video presentation of all of this.
- Here is the composition for organ I recorded called "Harlequin", recorded yesterday, June 2nd, 2026:

- The following is another recording I made, today June 3rd, 2026, called "Petit lapin dans l'herbe" ("Small rabbit in the grass"), based on actual experiences of seeing wild hares in the cemetery every morning when I go on my morning constitutional at dawn:

- And finally, this is the morning constitutional from yesterday, June 2nd, 2026 (I guess I didn't make any antilogs yesterday on the 2nd):

- Actually, one last one, a video also from yesterday, the 2nd of June, 2026, on the "music in the old village" as part of the theoretical background for my "Symphony of The Old Village" project ("Symphonie du Vieux Village"):